FacebookGoogle+TwittertumblrRedditEmail
Contact
FacebookGoogle+TwittertumblrRedditEmail
SHAKING
FacebookGoogle+TwittertumblrRedditEmail
Tri-Centric Music Festival

Last night, April 11th, 2014 was the first night of the Tri-Centric Music Festival at Roulette.   Members had the opportunity to come early for a pre-concert reception where we unveiled the 5 Anthony Braxton Scores that are currently on display at Roulette.

Falling River Music

Excerpts from the liner notes to Anthony Braxton/Matt Bauder – 2+2 Compositions (2005, 482 Music) by Charlie Wilmoth:

Braxton has done so many things over the course of his amazing career that it’s difficult to ever say that he’s doing something he has never done. It seems safe to say, however, that in the last few years, Braxton has been paying more attention to timbre and texture than ever before. This interpretation of recent trends in Braxton’s work seems even more plausible when we consider his new Falling River Musics.

Braxton writes, “Falling River Musics is the name of a new structural prototype class of compositions in my music system that will seek to explore image logic construct ‘paintings’ as the score’s extract music notation.” Falling River scores consist of large, colorful drawings (reminiscent of the titles of Braxton’s earlier compositions) alongside much smaller writings.

These smaller writings are accompanied by an intentionally vague legend that begins near the top of the page with a quarter note. Subsequent drawings in the legend look less and less like musical notation, and they quickly become unrecognizable as such. Braxton refuses to assign any specific meanings to the notations of his Falling River scores, since part of their purpose is to allow each performer to find her own way through them. He explains, “I am particularly interested in this direction as a means to balance the demands of traditional notation interpretation and esoteric inter-targeting.”

Anthony Braxton is recognized as one of the most important musicians, educators ad creative thinkers of the past 50 years, highly esteemed in the creative music community for the revolutionary quality of his work and for the mentorship and inspiration he has provided to generations of younger musicians. Drawing upon a disparate mix of influences from John Coltrane to Karlheinz Stockhausen to Native American music, Braxton has created a unique musical system that celebrates the concept of global creativity and our shared humanity. His work examines core principles of improvisation, structural navigation and ritual engagement; innovation, spirituality and intellectual investigation. His many accolades include a 1981 Guggenheim Fellowship, a 1994 MacArthur Fellowship, a 2013 Doris Duke Performing Artist Award and a 2014 NEA Jazz Master Award.

 

 

The Tri-Centric Music Festival continues through this weekend and next week!  Full schedule below:

Friday, April 11, 8PM at Roulette

Nate Wooley: Battle Pieces
Featuring Nate Wooley: trumpet; Ingrid Laubrock: saxophones; Sylvie Courvoisier: piano; Matt Moran: vibraphone

Anthony Braxton: Composition 146, “Moogie and Stetson” for 12 flutes, 2 tubas, and percussion
Featuring Taylor Ho Bynum: conductor; Jamie Baum, Domenica Fossati, Michel Gentile, Adrianne Greenbaum, Margaret Lancaster, Erin Lesser, Aleksandra Miglowiec, Leah Paul, Helene Rosenblatt, Peter Standaart, Heather Stegmaier, Sarah Bouchard Stockton: flute; Joseph Daley, Jay Rozen: tuba; Chris Dingman: percussion

http://roulette.org/events/tri-centric-presents-anthony-braxtons-composition-no-146-for-12-flutes-2-tubas-and-percussion-plus-the-nate-wooley-ensemble/

Saturday, April 12, 1PM Roulette

Roulette Kids! presents: Taylor Ho Bynum

Taylor Ho Bynum leads a workshop using Anthony Braxton’s principles of Language Music to introduce young people to ideas of group improvisation and composition—using sound as a “lego set” to create structures for play. All ages welcome, with special guests from the upcoming production of Braxton’s opera Trillium J (The Non-Unconfessionables).

http://roulette.org/events/roulette-kids-taylor-ho-bynum/

Saturday, April 12, 8PM at Roulette

Fay Victor: Neighborhood Dynamics
Featuring Fay Victor: vocals; Nicole Mitchell: flute; Vincent Chancey: french horn; Anders Nilsson: guitar; Ken Filiano: double bass

Anthony Braxton: Falling River Music Nonet
Featuring Anthony Braxton: saxophones; James Fei: saxophones; Ingrid Laubrock: saxophones; Jasmine Lovell-Smith: saxophones: Mary Halvorson, Brandon Seabrook: guitar; Tomeka Reid: cello; Nate Wooley: trumpet; Taylor Ho Bynum: cornet

http://roulette.org/events/the-tri-centric-presenting-series-anthony-braxtons-falling-river-music-nonet-plus-the-fay-victor-ensemble/

Sunday, April 13, 8-11PM at EYEBEAM

André Vida Moving Scores Final Day
Featuring André Vida: saxophones; Christa Robinson: english horn; Sara Schoenbeck: bassoon; Jay Rozen: tuba; Brett Sroka: trombone; Loren Dempster: cello

http://eyebeam.org/moving-scores

Thursday, April 17, 8PM at ROULETTE

Anthony Braxton: Trillium J (The Non-Unconfessionables) (Acts I & II) 8 P.M. at Roulette

Vocalists: Roland Burks, bass (Zakko), Kelvin Chan, baritone (Ashmenton), Tomas Cruz, tenor (Joreo), Lucy Dhegrae, soprano (Helena), Chris DiMeglio, baritone (Bubba John Jack), Kristin Fung, mezza (Alva), Nick Hallett, tenor (David), Kyoko Kitamura, soprano (Ntzockie), Kamala Sankaram, soprano (Sundance), Elizabeth Saunders, mezzo (Kim), Jen Shyu, soprano (Shala), Vince Vincent, tenor (Ojuwain)

Instrumental Soloists: Vincent Chancey (French horn), Jacob Garchik (baritone horn), Jim Hobbs (alto saxophone), Ingrid Laubrock (soprano saxophone), Domenica Fossati (flute),Oscar Noriega (clarinet), Dan Peck (tuba), Reut Regev (trombone), Stephanie Richards (trumpet), Katie Scheele (English horn), Josh Sinton (bass clarinet), Libby Van Cleve (oboe)

Dancers: Rachel Bernsen, Melanie Maar

Orchestra:
Violin: Erica Dicker (concertmaster), Ginger Dolden, Sam Bardfeld, Sarah Bernstein, Julianne Carney, Jason Hwang, Mazz Swift, Scott Tixier
Viola: Amy Cimini, Jessica Pavone, Erin Wight
Cello: Marika Hughes, Tomeka Reid, Tomas Ulrich
Bass: Ken Filiano, Mark Helias
Flute: Leah Paul, Domenica Fossati
Oboe/English horn: Kathy Halvorson, Katie Scheele, Libby Van Cleve
Clarinet/saxophone: Mike McGinnis, Jim Hobbs, Ingrid Laubrock, Oscar Noriega, Josh Sinton
Bassoon: Sara Schoenbeck, Katherine Young
French horn: Nathan Koci, Vincent Chancey
Trumpet: Gareth Flowers, Stephanie Richards
Trombone: Jacob Garchik, Reut Regev
Tuba: Dan Peck
Percussion: David Shively
Harp: Jacqui Kerrod

Conductor/Composer/Librettist: Anthony Braxton
Producer: Taylor Ho Bynum
Director: Acushla Bastible
Associate Director: Louisa Proske
Video Director: Chris Jonas
Associate Video Director: Dylan McLaughlin
Choreographer: Rachel Bernsen
Sound Design: Amy Crawford
Assistant Producer: Kyoko Kitamura
Production Assistant: Tyler Rai
Lighting designer: Yi Zhao
Costume designer: Nikki Delhomme
Stage Manager: Desiree Alejandro

http://roulette.org/events/anthony-braxtons-trillium-j-the-non-unconfessionables-acts-i-ii/

Friday, April 18, 8PM at Roulette
Anthony Braxton: Trillium J (The Non-Unconfessionables) (Acts III & IV)
(See Thursday, April 17 for full cast & crew)

http://roulette.org/events/anthony-braxtons-trillium-j-the-non-unconfessionables-acts-iii-iv/

Saturday, April 19, 3PM at Roulette
Anthony Braxton: Trillium J (The Non-Unconfessionables) (Acts I & II)
(See Thursday, April 17 for full cast & crew)

http://roulette.org/events/anthony-braxtons-trillium-j-the-non-unconfessionables-acts-i-ii-2/

Saturday, April 19, 8PM at Roulette
Anthony Braxton: Trillium J (The Non-Unconfessionables) (Acts III & IV)
(See Thursday, April 17 for full cast & crew)

http://roulette.org/events/anthony-braxtons-trillium-j-the-non-unconfessionables-acts-iii-iv-2/

Admission:

For Roulette, general admission is $20 – $35 depending on the performance. Members/Students/Seniors $15, FREE for All Access Members. More info here: http://roulette.org/events/

FacebookGoogle+TwittertumblrRedditEmail
Interview: Theresa Wong’s The Unlearning

A daring new work from a rising star, Theresa Wong’s The Unlearning unflinchingly examines the modern horrors of war, raising and expressing in avant-garde and world folk music forms the central question: What does it mean to be an artist in a time of war? In this interview, Wong discusses the influence of Goya’s The Disasters of War on her new project, her collaboration with Carla Kihlstedt that was central to The Unlearning, and of the deep philosphical and existential lessons she learned in tackling the big subject of our age.

FacebookGoogle+TwittertumblrRedditEmail
Interview: Miya Masaoka & Michelle Handelman

Composer Miya Masaoka and video artist Michelle Handelman discuss the origins of their new project: the personal stories and the ideas that their work address, the artistic impulse to create a socially and politically engaged form of art, and offer their thoughts on why it is important for us to resist.

FacebookGoogle+TwittertumblrRedditEmail